Monday, December 22, 2008

My Inexplicable Attraction:

sub⋅jec⋅tiv⋅ism[suhb-jek-tuh-viz-uhm]

–noun 1. Epistemology. the doctrine that all knowledge is limited to experiences by the self, and that transcendent knowledge is impossible.

2. The fact that all our external experiences are, to an extent, internal. For example, my mother is wounded by a close friend, and doggedly maintains, based on that experience, that all people are, at heart, untrustworthy. My college roommate is wounded by a close friend, and now maintains that relationships are never perfect, but require forgiveness and understanding. Both would say that their experience gave them crucial insight into the actual state of the world, but despite the objective similarity between their experiences, their subjective interpretation of those experiences is radically different, and their revised world views after the fact are likewise radically disparate.

Similarly, in the life of one person, the same repeated experience changes so much in terms of its interpretive meaning. My first year of graduate school, my waking and sleeping hours both were consumed with thoughts of home, and the people I'd left there, and every three-day weekend was an opportunity to reconnect with those that I had, in a sense, lost. If I had an opportunity to forge a new relationship with someone beloved Hattiesburg, I took it without hesitation, and let it consume me unabashedly, hoping (somewhere in my subconscious depths), that in this way, I would not lose the places and people that had made me lovable and loving. My visits were frenzied, manic synopses of the endless pleasurable days of college. I needed desperately to see everyone I'd ever seen, to do everything I'd ever done, and to go everywhere I'd ever gone. And during the hours of the trip home itself (and there were many, many hours), I would revel in fantasies of my reception: excitement, finally realized longing, and always pleasure.

These days, lover, though I am always anxious to see you, of course, the meaning of the experience of "home" has changed. It's no longer about reconnecting, but about maintaining obligatory connections. And I do not expect excited receptions, nor do I receive them. I do not mean the same thing to these people that I once did--and they do not mean the same thing to me. Once, that would have devastated me (the realization of my greatest fear: to be forgotten), but now, it is, to an extent, a great relief. I revel in the experience of being an outsider once again, of not being needed.

Objectively, the experience looks the same: I go to Javawerks, I spend time with you and others, I see my parents, I eat at my old haunts. But it feels more like reading a paperback that I haven't picked up in a while, and remembering, vaguely, how much pleasure I used to get from it, reading under the covers by flashlight. It doesn't bring the same pleasure now, but it's nice to remember that it once did, nice to know that I once felt longing and connection--that I actually once desired those things. And also nice to know that I can exist comfortably without them.

You, lover, will never fade, but you're not really part of the old paperback: you're part of the new one.

Merry Christmas.

~Specter of Christmas Past

Saturday, December 13, 2008

My White Warrior,

Paradox [par-uh-doks]:

1. The Internet is the information super-highway, and yet it limits sociality in so many ways. We are connected to our friends (from school, from work) more closely than we ever have been in the past: with a click of a button, we can peer, like voyeurs, into their lives, and they, the exhibitionists, display all for us to see. Communication has been expedited in a hundred big and small ways. And yet, don't you ever feel that you are more isolated from them than you once were?

When the only means of communication was the Pony Express, people went months without hearing from the loved ones they'd left on the other side of the country. Now, if we go a few days without anyone sending us an email, and IM, commenting on our blog, texting us, writing on our "wall," we feel forgotten and utterly alone.

2. And then there are the sites dedicated to connecting strangers via their mutual interests, desires, needs. This should expand our sense of social connectedness to the breaking point, make us feel more belonging and satisfaction than we can handle. Instead, connecting with these people makes us feel more like deviants, like outcasts: we shouldn't be using these channels to find acceptance and love.


---

What entrances me about our dialogues is that they feel less like dialogues and more like thought. Not in a jumbled, or nonsensical, or stream-of-consciousness way (although sometimes that may be so). More in the way that they are so absorbing, and so subtle, and so comfortable, that it's easy to slip into them without realizing it, easy to forget that we ever began them, and likewise that they will ever end.

You recognize this, no? You know the kind of conversations with self that I mean--we introverts thrive on them. One moment, you're diligently pounding away on whatever task you've been told to do, changing the format on a thousand references, double-checking APA sites on unusual sources, inserting missing periods and commas between and after authors when suddenly you're musing about how cliche your thought-spoken experience of depression seems to be: "Sinking into despair," standing in the midst of "Waves of sadness," "Drowning in the waters of self-loathing." You're trying now to come up with an expression of your experience that isn't quite so trite, so overused by would-be poets and adolescent bloggers. The best you can come up with is "the icy grip of rumination, clutching tenaciously at your throat until your lungs have forgotten the sweet sensation of unburdened breath." It seems a little convoluted to you, and not quite the sentiment you were going for. Your failure is disappointing, and you wonder if there will ever be a time when you will be able to use your melancholy as a creative catalyst--it seems to you that you did at one time. You recall the folder of a thousand creative endeavors, started and forgotten, and think that maybe you should return to them at some future date, perhaps when your life isn't so squandered on menial tasks, and that thought

wakes you up. You hadn't even realized that you'd slipped into yourself. You look at the screen, and see that your fingers had continued on without you, looking up style tips, adding periods and commas.

Those are our dialogues--though usually less depressing than stimulating, less dark than illuminating, and less trite than novel, and endlessly valuable.

~Fair Maiden

Wednesday, December 10, 2008

My voice of cryptic reason,

Your infinitely inexhaustible insight is indubitably interesting. You keep my mind tethered to the center of a centrifugal force that is the world. 

I'm realizing all my best friends, my most loyal confidants are the voices in the music that fills the space between overpowering silences that threaten to consume me. I look for a lover, a friend, a purpose, an impetus, a mantra for my life; Music has it all if you're listening carefully to the right things. It has held me more consistently when I break than any individual I've ever known ever could. The lull of the melody and the soothing rapture of the singer's voice hold me tighter than any arms I've ever known. A rather dejected glam-rock Brian Warner once assured me: "We love the abuse because it makes us feel like we are needed." 
While this is true on many levels, the music in this case could be the abuse I so love because I KNOW I am needed to hear it; otherwise, what would be the point in making music?
I torture or rejuvenate myself depending on what I listen to.


I think that in many ways, on many levels: we are products of our big, impersonally interconnected world. I am simultaneously at odds and in love with the status quo of technology and her potential. While it enables us to be available and connected to anyone, anything, anywhere, it cuts off other potential outlets of communication that may or may not be later deemed necessary. Though I cannot put my finger on it and google search results are  inconclusive, something absolutely necessary feels missing.

While it can be very informing and oftentimes therapeutic, the internet still leaves me feeling altogether unfulfilled and even more isolated. Wasn't it enough that I was born to think and behave in this way; that circumstances beyond my control left me a broken, trembling shell of humanity? Now I've only to retreat to the vast impossible expanse of my own mind or the equally vast isolation of the internet, which does in fact, contain the universe and all variations thereof; the latter of the two being my more recent preference, by far. In addition to anything I could ever want to see or hear, it is also where I find you, my dear. 
 
The cold sterile gaze of the monitor illuminates only me, in the places I retreat to so often to worship the universe with her. She shows me things I never could have imagined to be possible; beautiful tortured and broken things. That mad mad world I see all around me is reflected and magnified inside of me. The world I inhabit has left me feeling like a tortured genius, crouching in the darkest corners of a tall lonely tower that looms so high and impressive over the rest of the world. My perceptions of the world and perception of my own perceptions have not changed much over the years. I can see further from my lonely tower and more clearly than ever before, but all the other lonely people I see look the same. They still look so lonely.
It makes me feel less lonely, to see them without being seen. Like God, who I trust to be there: inside of me. 
My faith is like a diamond the size of a refrigerator, buried in your backyard, love.
Trust that it will always be there safe within you.
All of my love to you and our .8-th of a child,

~be⋅wil⋅dered

-adjective

1. To confuse or befuddle, especially with numerous conflicting situations, objects, or statements. 

2. To cause to lose one's bearings; disorient.

Etymology:  be- "thoroughly" + archaic wilder "lead astray, lure into the wilds."

Saturday, December 6, 2008

My Skeptical Lover,

For your edification:

interesting

-adjective

1. engaging or exciting and hold the attention or curisoty

2. arousing a feeling of interest

Etymology: "to be between," from inter- "between" + esse "to be."

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Every tragedy has the potential to throw you into a different state of being. And for that reason, tragedy inspires a certain amount of excitement within us. There’s a sense of possibility that accompanies it, a feeling that we are no longer, and can no longer, be who and where we were before, and therefore are forced to occupy a new space.

When we witness a tragedy befall someone we know, we wait anxiously for updates: what new space will they be forced to fill? And what imprints can we leave with them in this wet, new, unformed world?

To be denied a role in defining that new state is heartbreaking. It’s infatuation all over again: they’re a new person that you have to ponder and ruminate on. You sit in the periphery, crouching in the hedges around their new dwelling space, windows aflame with light, reminding you only of the fact that you are out in the darkness, and cannot come inside and help them arrange the new furniture, and decide what flavors of ice cream should be stocked in the freezer, and cannot be there with them to christen the hearth, and tend to their now-healing wounds by firelight.

Before you know it, they’ve settled into their new space, and it’s further away from yours than it used to be. You long for a tragedy to bring you back together with them, but you realize how anticlimactic that would be, and how transparent. They’re married now, with 1.8 kids, and that’s the world they’ve decided to occupy. They’re strangling, you’re just sure of it, and every day is now a tragedy, but they refuse to acknowledge it, they refuse the possibility of changing, of occupying a space a little closer to you, of brushing your hand without an apology, of speaking to you without that strange affected tone, of acknowledging your double entendres for more than their surface meaning.

Tell me, lover, that the next time I find myself on the brink of giving birth to .8 kids that you’ll be there to illuminate the tragedy in that occurrence.

~Befallen